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Жырар таки мудак.
Тут почитал статью про французский кинобизнес, там ад. С граждан берут специальный налог, на кино и ТВ. Потом государство это бабло делит между близкими к нему кинопроизводителями (точно как у нас). В итоге, бюджеты раздуты страшно. Местные кинозвезды получают там раз в десять больше, чем их ставки в голливуде (где они, к слову, не особо нужны). В общем, Жырар заработал свое бабло исключительно благодаря французской социалистической системе распределения государственных средств. А теперь нос воротит.
кому интересно, на англ:
An editorial written by Wild Bunch co-founder and sales chief Vincent Maraval has whipped up a mini-storm within the French film industry. The exec, who’s had a hand in such films as The Artist, The Wrestler, Pan’s Labyrinth, Fahrenheit 9/11, City Of God and March Of The Penguins, blasted the current state of French cinema, calling 2012 a “disaster”. France enjoys possibly the world’s most generous subsidy system which relies in part on investment by local TV networks, but Maraval says “even the biggest commercial successes lose money” with budgets inflated by above the line costs. Calling France “the world record holder for the average cost of production” after the U.S., Maraval says “French actors are rich from public funds and from a system that protects the cultural exception.” Maraval cites such talent as Vincent Cassel, Jean Reno, Marion Cotillard, Guillaume Canet and Audrey Tautou and asks why they would “be paid from €500,000 to €2M ($655K to $2.62M) for a French film limited to the French market but when they shoot an American film, whose market is worldwide, they’re happy with €50,000 to €200,000 ($65.5K to $262K)? Why for example does Vincent Cassel act in Black Swan (€226M in global receipts) for €226,000 euros and in Mesrine (€22,6M in global receipts) for €1.5M euros? Ten times fewer receipts; five times more salary. That’s the economy of French cinema.”
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Отличный Жырар -- SL -- 04.01.13@15:59 (Чит.: 286)