Архив форума "Клуб любителей DVD" с 2000 по 2014гг


Стас, позвони мне сейчас... (-)

Автор: Шура Локшин
<loka@df.ru>

Дата: 29.05.00, @09:46

  `*****
`Картинка - 5 звезд.
`
`This is a top flight, anamorphic transfer from the folks at Paramount, who like the other major
`studios, rarely fail to put out an impressive picture when transferring a film of such recent
`vintage -- and we’re all glad for that.
`
`The image is always sharp and detailed. Lines in foreground and background are clean and
`distinct. Regardless of lighting key, the image remains free of ‘grain’ and digital artifacts of any
`kind. Those who know the film are aware that it’s dim, dark, and mist-filled. This type of color
`desaturation, with long shadows and fog is an invite for image breakup, and no doubt you’ve
`seen transfers of such films which don’t hold up too well -- particularly if you’re viewing on a
`large front projection set up like we do. But Paramount has managed to give us a very clean,
`solid picture. Even the largest of pale color fields set in low key lighting look fine.
`
`It’s inappropriate to speak of bright, vivid, saturated colors when discussing Burton’s SLEEPY
`HOLLOW since his cinematographer, Emmanuel Lubezki, has drained nearly all color from the
`picture. Save for a handful of sequence dealing with Ichabod Crane’s childhood, and the last
`few shots in the final reel, there are very few intense hues to be seen -- even blood is more of a
`deep crimson/brown instead of red. What colors are present look very good. We noted no
`‘smearing’ between fields. The dream sequences are abundant with colorful hues from flower
`petals, and within a church we see very bright red set against glaring white. The white is bright
`and clean and exhibits no ‘blooming,’ and the red remains within it’s own field.
`
`Flesh tones usually look extremely pale -- but this was Burton and Lubezki’s intention. Blacks
`are deep and solid, and shadow detail is excellent. Brightness and contrast levels are very good
`and consistent throughout the presentation. The print used by Paramount to strike their
`anamorphic master was pristine and free of nicks, scars, and scratches. This is a superb transfer
`worthy of The BIG Picture’s highest marks.
`

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