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Стас, позвони мне сейчас... (-)
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Дата: 29.05.00, @09:46
`***** `Картинка - 5 звезд. ` `This is a top flight, anamorphic transfer from the folks at Paramount, who like the other major `studios, rarely fail to put out an impressive picture when transferring a film of such recent `vintage -- and we’re all glad for that. ` `The image is always sharp and detailed. Lines in foreground and background are clean and `distinct. Regardless of lighting key, the image remains free of ‘grain’ and digital artifacts of any `kind. Those who know the film are aware that it’s dim, dark, and mist-filled. This type of color `desaturation, with long shadows and fog is an invite for image breakup, and no doubt you’ve `seen transfers of such films which don’t hold up too well -- particularly if you’re viewing on a `large front projection set up like we do. But Paramount has managed to give us a very clean, `solid picture. Even the largest of pale color fields set in low key lighting look fine. ` `It’s inappropriate to speak of bright, vivid, saturated colors when discussing Burton’s SLEEPY `HOLLOW since his cinematographer, Emmanuel Lubezki, has drained nearly all color from the `picture. Save for a handful of sequence dealing with Ichabod Crane’s childhood, and the last `few shots in the final reel, there are very few intense hues to be seen -- even blood is more of a `deep crimson/brown instead of red. What colors are present look very good. We noted no `‘smearing’ between fields. The dream sequences are abundant with colorful hues from flower `petals, and within a church we see very bright red set against glaring white. The white is bright `and clean and exhibits no ‘blooming,’ and the red remains within it’s own field. ` `Flesh tones usually look extremely pale -- but this was Burton and Lubezki’s intention. Blacks `are deep and solid, and shadow detail is excellent. Brightness and contrast levels are very good `and consistent throughout the presentation. The print used by Paramount to strike their `anamorphic master was pristine and free of nicks, scars, and scratches. This is a superb transfer `worthy of The BIG Picture’s highest marks. ` |
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